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The Collaborative Playwright: Practical Advice for Getting Your Play Written, by Bruce Graham, Michele Volansky
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The interaction between the ideas of the playwright and the know-how of the dramaturg is vital to the success of any production. But not every writer is accustomed to thinking like a dramaturg. The Collaborative Playwright changes that by offering a lively dialogue between a highly successful playwright, Bruce Graham, and an equally accomplished dramaturg, Michele Volansky, supported by hands-on exercises to get you thinking and writing in new ways. The Collaborative Playwright gives you professional advice on how to get started with a play, how to structure it to be performed, and how to work with a dramaturg to turn it into a staged production. Graham and Volansky's fun, smart conversation offers step-by-step advice on each of the components of the craft - exposition, rhythms, characterization, structure, and story generation - all illustrated with clear examples from Graham's own plays. But unlike other books that advise playwrights, The Collaborative Playwright is written from two points of view: the playwright's and the dramaturg's. It's both friendly and packed with indispensable nuggets of information, including interviews with more than thirty current theatre artists whose collective advice articulates some of the more practical aspects of working in the theatre - knowledge that playwrights need as they write. Want to write plays that work as well on stage as they do in your head? Read The Collaborative Playwright, listen in as two theatre veterans discuss the crucial characteristics of good writing, and find out why, if you're writing for the theatre, it pays to listen to your dramaturg.
- Sales Rank: #1856443 in Books
- Published on: 2007-03-22
- Released on: 2007-03-22
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .38" w x 6.00" l, .56 pounds
- Binding: Paperback
- 184 pages
About the Author
Bruce Graham is the author of the following plays: Burkie, Early One Evening at the Rainbow Bar & Grille, Minor Demons, Moon Over the Brewery, The Champagne Charlie Stakes, Belmont Avenue Social Club, Desperate Affection, Coyote on a Fence, and According to Goldman. Coyote on a Fence was the winner of the Rosenthal Prize and recently opened in London's West End starring Ben Cross. His one-man show, The Philly Fan, was recently revived for a third run. Two new plays, Dex and Julie Sittin' in a Tree (Arden Theatre) and Full Figured, Loves to Dance (Theatre Exile), opened this year. His feature film credits include Dunston Checks In, Anastasia, Steal This Movie, and his TV movie, Ring of Endless Light, won the Humanitas Award for Best Children's Teleplay. Graham has received grants from the Pew Foundation, the Rockefeller Foundation, and he was a recipient of the Princess Grace Foundation Statuette Award. He currently teaches playwriting and film courses at the University of Pennsylvania and Drexel University. Graham lives in Media, Pennsylvania, with his wife, Stephanie, and their daughter, Kendall.
Michele Volansky is Assistant Professor of Drama at Washington College and the dramaturg for the PlayPenn New Play Development Conference. She has worked on more than 150 plays, including the Broadway productions of Buried Child and One Flew Over the Cuckoo's Nest. She has worked with numerous theatrical groups, including Actors Theatre of Louisville, Steppenwolf Theatre Company, and the Philadelphia Theatre Company. In 1999 she won the inaugural Elliot Hayes Award for Dramaturgy and is also past President of the Literary Managers and Dramaturgs of the Americas. She is also a doctoral candidate at the University of Hull (England), writing about the critics Kenneth Tynan and Frank Rich.
Most helpful customer reviews
4 of 4 people found the following review helpful.
Should be in your bookbag
By Lindsay Harris
The Collaborative Playwright is as close as you can get to actually sitting down with a seasoned playwright and dramaturg, two people who know the craft of theatrical storytelling inside and out, having a beer with them and just getting the inside scoop on how plays should be crafted and why. Like Gary Garrison's Perfect 10, this book gives the reader a sense of what kind of scriptwriting really works for a skeptical audience, a financially-strapped producer, and an overtaxed performance space.
That being said, in my opinion, this shouldn't be your very first playwriting book. The conversational tone has a jaded quality that would scare off first-time playwrights. The enthusiasm of a new playwright is much better served by a focusing agent like Jeffrey Sweet's The Dramatist's Toolkit. This books shows you, for example, not just how to make a scene a negotiation, but a compelling, meaningful negotiation. This book should be thought of as an advanced course, not a simple how-to guide.
If you've had several readings of plays that were successful and are trying to figure out how to tell your stories on paper well in conjunction with the many people that will get your story onstage, this book is a good friend. Of particular note is the section at the end of the book where playwrights at varying career levels are interviewed about how they make their storytelling process work well with possible directors, dramaturgs, producers and so on. If you've written several plays and are thinking, "Now what?" then get this book.
0 of 0 people found the following review helpful.
Good Advice From a Pro
By Nukepr
This is a good book for a person wanting to write, for a play director, or for anyone with an interest in theater. Bruce Graham is an established playwright, and the book is filled with illustrative comments from Graham and co-author dramaturg Michele Volansky regarding both Graham's plays and classics from modern theater. Having directed one of Graham's plays, "The Champagne Charlie Stakes," for our community theater, I found his description of how he develops characters fascinating and informative, and his advice for development of a play useful for both someone wishing to write, for someone directing, of for someone who enjoys theater and would like to know more about how plays get written.
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